What happens when two hustlers strike the road and amongst them suffers from narcolepsy, a sleep disorder that causes him to abruptly and randomly fall asleep?

To anyone familiar with Shinji Ikami’s tortured psyche, however — his daddy issues and severe uncertainties of self-worth, let alone the depressive anguish that compelled Shinji’s actual creator to revisit the kid’s ultimate choice — Anno’s “The top of Evangelion” is nothing less than a mind-scrambling, fourth-wall-demolishing, soul-on-the-monitor meditation on the upside of suffering. It’s a self-portrait of an artist who’s convincing himself to stay alive, no matter how disgusted he might be with what that entails. 

Dee Dee is really a Fats, blue-coloured cockroach and seemingly the youngest of your three cockroaches. He is also among the main protagonists, appearing alongside his two cockroach gangs in every episode to ruin Oggy's working day.

Just lately exhumed because of the HBO sequence that noticed Assayas revisiting the experience of making it (and, with no small degree of stress and anxiety, confessing to its ongoing hold over him), “Irma Vep” is ironically the project that allowed Assayas to free himself from the neurotics of filmmaking and faucet into the medium’s innate perception of grace. The story it tells is an easy one, with endless complications folded within its film-within-a-film superstructure like the messages scribbled inside a child’s paper fortune teller.

It’s now the fashion for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL

For all of its sensorial timelessness, “The Girl within the Bridge” might be too drunk By itself fantasies — male or otherwise — to shimmer as strongly today as it did during the summer of 1999, but Leconte’s faith while in the ecstasy of filmmaking lingers all of the same (see: the orgasmic rehearsal sequence established to Marianne Faithfull’s “Who Will Take My Dreams Away,” evidence that all you need to make a movie is really a girl and a gloryholeswallow knife).

He wraps redtubw his body around him as he helps him find the hole, working his hands over the boy’s arms and shoulders. Tension builds as they feel their skin graze against a single another, before the boy’s crotch grows hard with pleasure. The father is quick to help him out with that as well, eager to feel his boy’s hole between his fingers as well.

Sure, the Coens take almost fetishistic pleasure inside the genre tropes: Con guy maneuvering, tough guy doublespeak, in sxyprn addition to a hero who plays the game better than anyone else, all of them wrapped into a gloriously serpentine plot. And nonetheless the very stop on the film — which climaxes with among the list of greatest last shots with the ’90s — reveals just how cold and empty that game has been for most on the characters involved.

“To me, ‘Paris Is Burning’ is such a gift during the feeling that it introduced me to your world and to people who were very much like me,’” Janet Mock told IndieWire in 2019.

The dark has never been darker than it really is in “Lost Highway.” Actually, “inky” isn’t a strong enough descriptor for that starless granny porn desert nights and shadowy corners buzzing with staticky menace that make Lynch’s first official collaboration with novelist Barry Gifford (“Wild At Heart”) the most terrifying movie in his filmography. This is often a “ghastly” black. An “antimatter” black. A black where monsters live. 

In addition to giving many viewers a first glimpse into urban queer xxxbp tradition, this landmark documentary about New York City’s underground ball scene pushed the Black and Latino gay communities for the forefront to the first time.

Making the most of his background as a documentary filmmaker, Hirokazu Kore-eda distills the endless possibilities of this premise into a number of polite interrogations, his camera watching observantly as more than a half-dozen characters make an effort to distill themselves into one perfect instant. The episodes they ultimately choose are wistful and wise, each moving in its personal way.

is often a look into the lives of gay Guys in 1960's New York. Featuring a cast of all openly gay actors, this is usually a must see for anyone interested in gay history.

—stares into the infinite night sky pondering his identity. That we are able to empathize with his existential realization is testament to your animators and character design team’s finesse in imbuing the gentle metal giant with an endearing warmth despite his imposing size and weaponized configuration.